Elevating X-Trans? Fujifilm X-T2 Review: Digital Photography Review.Free photo editing software for Fujifilm

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Aug 2, Great product and does not cost any money. Note that this is not a recursive operation, so Capture One will not watch additional subfolders within the Capture subfolder. Capture One Express Frwe A worthy free contender comments. Though I am sure Darktable works well if you can fathom the workflows available, but I spent equal time with each.

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Capture One first announced an iPad version of its popular photo editor a year ago. Since then, we’ve seen snippets and teases of the iPad app, including in March when Capture One shared its roadmap for At that time, Capture One CEO, Rafael Orta, said, ‘Our plan, as we bring Capture One Live, Capture One for iPad, and Capture One for iPhone to the table alongside Capture One Pro for desktop, is to give photographers the most powerful ecosystem of creative and collaborative tools that give them the liberty of working anywhere in the world, anytime, and with anyone.

And further equipped with easy file transferring, you’ll be able to pick up where you left off on your creative process across devices. At that time, Capture One said that being able to edit and export images on the go was a critical part of the iPad app.

Users will be able to have Capture One’s image processing engine on the go and use select image editing tools on their tablet. Capture One has also shared some details about what users can expect when the app launches later this month and in the coming months via free updates. It’s important to understand off the bat that Capture One for iPad is not intended to replace the desktop version of Capture One, but rather, it’s a companion. It’s part of a larger ecosystem where you can organize, edit and export your images across multiple devices.

You can simply plug your camera into your iPad, import your images and begin organizing and culling. You can swipe through your photos, and rate or tag them.

You can then edit your photos in the new user interface, specially designed for iPad, using Styles presets or manual adjustments. Once you’ve finished your edits, you can export your images as JPEGs or upload them to the cloud, where you can then pick up where you left off on Capture One for desktop.

Of the user experience on iPad, Capture One writes, ‘Our team of user researchers, UX designers, and UI designers has studied when, where, and how you would use the iPad app and made an interface to fit. The result of this research is features like our two-handed UI, and more subtle elements like hand gestures used to control the tools, such as long pressing on the screen to see a before and after of your photo, or the amount of space dedicated to your images on the screen.

To release the app this month, the Capture One team has had to leave out some features, including tethering. Capture One is working closely with Apple to bring tethering to iPad and hopes to have the feature available soon. There’s plenty still in the app, though, including a suite of editing tools, like white balance, exposure, brightness, contrast, saturation, highlights, shadows, whites, blacks, clarity, structure, dehaze, sharpening, basic color editing with HSL, black and white conversion, noise reduction and more.

You can also crop and rotate your photos in the app. Alongside tethering, future updates to the app will add masks and layers and improved cloud support. Ultimately, the app will support image synchronization over the cloud. To learn more about Capture One for iPad, click here. With the monthly fee plan, do I have to login over a live internet connection to a C1 webpage every time I want to use the software?

As a recreational camera enthusiast that only posts on the Internet, I’ve been waiting for this and have my new iPad mini 6 ready to go. Dumped Adobe after the better part of 2 decades too. Totally mobile going forward, no more need for me to sit at computer screen ‘tweaking’ although admittedly that’s been a longtime passion as a hobbyist. When you turn the C1 dial clockwise, the image gets darker. I have hopes for this app, but the current version is basically useless.

It’s missing so much of the basic functionality, that I find myself getting quickly frustrated that one can’t do this or that in the app. Too bad, since I much prefer C1’s image quality over Lr. If the tone of the comments mirrors the acceptance of this app I see, in the very near future, a carefully worded release indicating that the mobile app is now part of the basic subscription.

How is this a companion app when it has its own subscription? Imagine Netflix asking users to pay another subscription fee to use the app on the phone. I was a beta tester and the app is good as a companion app. Should have been free for subscription members imho.

Compared to Adobe’s Photography offering this CO offering is more than bad imho. This is a really rudimentary UI, no better than a half dozen similar iPad photo editing apps. Capture One needs to do better to justify the monthly fee, especially at the same cost as Lightroom which is one the best iPad apps out there. As a Fuji user the app is interesting for processing X-Trans files, but as bad as this looks for a monthly fee, it’s a hard pill to swallow.

I’ll probably keep using Lightroom mainly, and C1 Express on the desktop for processing high detail hero shots. I’ll file this one under “maybe someday. Oh no! Not yet another subscription. With Adobe I have access to LR on my mobile devices for no extra fee. Just let the companion iPad version be a part of the already premium priced C1 for desktops. Capture One really pushing me into the Adobe ecosystem with that additional subscription fee.

Too sad! I bought Affinity Photo, but can’t be bothered with it. RAW editing is cumbersome and learning to use it is a complete and deep learning curve as near to nothing works the same as Photoshop.

I think it’s going to have a difficult time gaining traction as a “companion app” when it comes with a separate price. They really should have taken Adobe’s lead here—if you pay for a C1 subscription, the app should be included. Affinity photo for ipad will do the trick. I don’t work for them btw, just can’t stand subscriptions. Capture One should not be used on an iPad.

It is a powerful tool that should be used on a REAL computer. Anyone using C1 on a toy like that, should have their head examined. But it actually has some rather obvious advantages as you can use pen to correct images that is far more natural and intuitive way of editing then the way we mostly do it today.

In fact, I would actually buy one if this app wasn’t subscription based and it’s halfway decent. You’ve clearly never edited photos on a The screen is magical and the processing power is more than sufficient to edit photos.

Obviously the desktop is still superior for hardcore editing, but for the simple editing most people do the iPad is more than enough. An iPad Pro has more processing power than my 11 year old notebook computer, which is what I’ve been using to edit my photos for 11 years so it obviously works fine. Heck, I feel like my iPad Pro has more processing power than my five year old fully loaded 5k iMac. Maybe, not for all things, but it definitely feels like it handles photo editing better.

What a ridiculous comment. Plus a nit We should all send a simple message to the software companies that wish to rip us off with monthly charges — NO! They may argue that you get all the updates, but if you buy software instead of renting it, you can still choose to buy updates, and when to buy them, or not to buy and keep using the original.

As others have said, this app depends on cloud storage to communicate with the desktop. That’s what you’ll be paying for, basically. Not sure how you can come up with a one-time payment for cloud storage I fail to see the scam here. David – Correct me if i’m wrong but I don’t think any cloud storage is part of the the ipad app? From my understanding you use the iPadOS sharing to export it to your desktop or to your own cloud service. The only cloud infrastructure C1 has is for their Live service and that’s another subscription on top of this.

Apparently the roadmap includes two-way sync in the future. You can also export individual EIP files to, er, Files, and then import them on the desktop, I assume to a session. No idea how that inter-relates with Live cloud space.

Or even better, make the app free as an entry drug. They dont want you to decide on your own :. Totally, affinity photo on ipad does it, check it out – not a subscription. It’s 20 quid one off payment. People have been copying files from one computer to another without sending them to a middle man for many decades now. If their cloud storage is the only way to move photos, then the app is broken. It was probably designed that way to justify a monthly fee. Rather a different concept – but of course you’re not obliged to want it or like it.

YesYesYes – give it a rest with the same comment everywhere. Affinity is great, and a bargain, but has very sub-par Raw development, and has no concept of synchronisation. Note, IMHO what C1 is managing to illustrate so far is just how good and flexible Adobe’s approach to cross-device synchronisation is.

And I speak as primarily a C1 user. The problem of having baked-in edits has nothing to do with file synchronization across multiple devices. As for such synchronization, there’s no reason for that to require sending your file to a third party either. There are already a couple of videos online, demonstrating the UI and features. Have you ever tried to get bugs fixed or even acknowledged, you’ll have to go through ‘support’ first which is basically impossible.

I reported a bug on v I got a very courteous reply in under a day from a developer confirming the issue and asking me if I could generate a bit more evidence. I was told that a fix had been identified and would be in a subsequent dot release as soon as it was tested. The fix indeed turned up in the next update, and the same developer followed up with me to check that it was working for me. I’ve contacted them a dozen times and it’s like talking to a wall.


Capture one pro 12 fujifilm review free.Fujifilm XF 55-200mm F3.5-4.8 R LM OIS review

Scientists use ALMA observatory to capture neutron star merger for the first time ever. The huge advantage for Fuji is the presence of the camera profiles.


Capture one pro 12 fujifilm review free


Over the past few years, the digital camera market has been transformed by the arrival of mirrorless compact system cameras. Freed from film-era design constraints, these can provide image quality to match SLRs in a much more portable form factor. Entry-level models provide compact-camera like handling and simplicity, while high-end cameras such as the Sony NEX-7 , Olympus OM-D E-M5 and Fujifilm X-E1 are able to offer a full set of enthusiast-friendly manual controls in smaller, more discreet systems, and with relatively few compromises.

However to persuade buyers to forsake their SLRs, the camera companies also need to offer lens lines that will cover their needs. While most manufacturers have attacked the mirrorless market from the bottom up, Fujifilm’s approach has been the opposite, starting with the unashamedly top-end X-Pro1 followed up by the more enthusiast-oriented X-E1. The company’s lens line reflects this – instead of starting out with entry-level kit zooms, it took the decidedly unusual step of launching with three fixed-focal length primes.

The XF mm F3. Like the mm it features a relatively fast maximum aperture, gathering half a stop more light than most similar zooms for SLRs, and it uses a pair of linear stepper motors for near-silent autofocus. As with the other XF lenses, it offers all-metal barrel construction and an on-lens aperture control ring. The overall picture is of a decidedly premium lens, that’s quite unlike the inexpensive mm F The pictures below illustrate the focal length range, taken from our standard position.

The mm offers a similar angle of view to a mm lens on full frame. The test site Optical Limits gives the mm a better rating and a Highly Recommended badge which it doesn’t give to the mm.

Just bought it. I too have been changing from a bulky slr type camera to fuji as the lens quality is first class along with there size, aperture, and weight of their cameras and lenses. Who said that larger format is better than apsc they didn’t recon on the fuji x range. If anyone is looking for a small flash but with pro handling the should look at the new Nissin i I think its perfect for the fuji x system cameras check it out.

I do not like rubber on the lens. WOuld rather have it all metal. Many of Ken Rockwell lenses the rubber got sticky in time. Nikon and Canon. Any ideas, comments, or To make this experience better.

The lens on the X Pro 1 is workable but not seeing the whole zoom in the view finder making it a challenge to use zoomed out past Love to hear some feedback.

Thanks in advance. Hi, Prior to get this lens, I am worrying about the photo 3 95mm F4 ,that shows the London parliament. To me , it’s not soft, it’s blurred. Am I going to obtain that kind of picture if the camera automatically applies some correction for pincushion distortion?? Even the flowers and leaves 4, are under a normal sharpness level. Anyone ‘s got more clues or samples? Photos are very sharp and it does not hunt as much in low light like my Canon or Nikon long range zooms did.

How fast is fast and how slow is slow? To me, the important thing is whether it is fast enough for your needs. I am a careful and deliberate shooter. I remember when AF was a thing of the future and everyone had to manually focus. The first auto focus cameras did a lot of hunting before settling down and we all thought it was wonderful. My internet provider is lightening fast and it’s major competitor promises even faster operation. But do I need it?

I am only so fast and the older I get, the less fast I am. I guess this is a long winded way of saying that as a Fuji-XPro-1 user with all the latest firmware downloads AF is lightening fast for me, although my OM-D is somewhat faster.

So, how fast do you really need aside from enhancing your bragging rights when comparing cameras? Well put. I am waiting for the X-E2 to have a smaller system in my kit as I too am getting older and my 1d MKII is killing my wrist after hours of photographing weddings. I think the Fuji will be a great relief pitcher so-to-speak come the reception and I suspect I’ll use it too with portraits. I hope they get their game on for a small flash capable of high speed sync.

If you still have a problem, perhaps you’re just not the sort that’s prepared to learn how to use a camera. It’s pretty solid for the most part, but it is still CDAF, and it is still a bit slower than the fastest Olympus cameras.

Well the opinion of the internet is the opinion of those that have no other opinion, so perhaps you have a point. Maybe the number of featureless white wall photographer enthusiasts is greater than we predicted. Was super fast AF really that important? Was it because, 1. Most photographers is still an Amateur after many years of pictures taking, so need newer blazing AF tech to help them to get the job done?

Most photographers was simply too lazy? If the 2nd remark was true, get yourself a Smarter Smartphone then. Whether you consider the AF to be slow or fast depends on what you are shooting. If one is shooting landscape or stationary subjects, it is fast enough but if you are shooting catwalk models or football it is not fast enough.

I use manual focus for a lot of my landscape, low light, macro photography and stationary portraits and it is still fast enough.

What does this even mean? Or the reverse? Either way Why make up stupid stats. AF is a good thing. I am a 27 year pro photographer that started with film and MF. Would I be ok if AF went away They are different cameras. Does that make the Fujis useless The samples pages really just prove that good light and decent composition are always more important than the gear. That said – Fuji does manage to achieve a distinct and great look to images that suit it’s strengths. Bravo Fuji.

The Pros in the Conclusion of this lens’ test seem to indicate it’s something more than ‘consumer’ – as is commonly understood by the term. Two old saws come to mind: ‘You get what you pay for’ and, ‘The quality will remain when the price is long forgotten’.

They offered me to have to wait and pay a lot to get an F replacement from Japan or give me an F model for free. They were simply great. Now, this was a long time ago so don’t know how they are now, but if that’s any indication, they are really good. Quite likely it depends on the country. In the Uk I’ve had two issues for which the service wasn’t great. A fuji F30 that had a severe soft-on-the-left problem. Unfixed the first time around, kludge fix the second time around that left the whole image slightly soft instead of just the left side.

But I have also heard that they have excellent support, so I suspect it’s geographic. Yes, they were excellent. Fixed one of my cameras out of warranty because they agreed a card interface error should not have happened at all.

But I buy my cameras from a reputable dealer and generally let him handle warranty issues. His opinion is that he prefers dealing with Fuji to all the rest. Late to the party but still relevant, a couple of years back sent my grey market X-T1 to Fuji Australia for that infamous rubber door buckle issue and they fixed it no questions asked even though they knew it wasn’t Australian stock, they even listed a complimentary sensor clean on the repair docket.

Not sure about this statement by the author. I have an X-E1 and I don’t think setting the focus point is that fast. I still have to push the left button, then the right cursor wheel. The Canon 7D is much faster with the joystick. If you have not seen that, upgrade to the latest firmware then press the down button arrow on the right side. There is nothing quick about setting the AF point on the Fujis.

Even with the update it’s still clunky at best. It changes the viewfinder, which eats up some time. Then you move the point and half-press and hope it focuses right. If the subject moves you go through the whole process again. One of the main reasons I ditched my XPro-1 was because even with the fix it’s still pretty slow. Even if it required using the EVF only it would be a good feature to have to speed up AF with moving subjects.

Well I am talking specifically about what DVT said, not about your needs.

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